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This essay explores the paradoxical relationship between Václav Havel’s dramas and his essays, in particular, The Power of the Powerless. Havel’s plays aimed at creating a new community awareness of the “post-totalitarian” system in which people were trapped. His essays employ similar dramatic and analytic techniques to show a way out of that trap by “living within the truth,” that is, living in a way that exposes the mendacity of “post-totalitarianism” and spreads the virus of truth and change throughout society. The present essay argues that the ultimate aim of the “existential revolution” Havel calls for is in fact the regeneration and strengthening of civil society and the creation of institutions that serve people, not power. It concludes by looking at the continuing relevance of The Power of the Powerless today.